By Nellie Barnes
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Omaha Songs I I . Jour, of A m e r . Folk-Lore. vol. I. p p . 209-214. Osage Traditions. 6th A n n . R e p . B u r . of Eth. Washington. 1888. p p . 375-397. Ponka and Omaha Songs. Jour, of A m e r . Folk-Lore. vol L pp. 65, 2 0 9 ; vol. II. p p . 271-276. Songs of the He^ucka Society. Jour, of A m e r . Folk-Lore. vol. I. pp. 65-68. EASTMAN, CHARLES A . A n Indian Boyhood. Doubleday, Page. N. Y. 1911. 289 p p . Old Indian Days. McClure's. N. Y . 1917. 279 p p . Music, Dancing, Dramatic A r t : T h e Indian Today.
P p . 22-29, 254-275. S o n g s of Sequence of the Navahos. Jour. A m e r . Folk-Lore. vol. V I I . p p . 185-194. M O O N E Y , JAMES. Myths of the Cherokee. 19th Ann. E e p . B u r . o f Amer. Eth. part I. Washington. 1900. 576 p p . T h e Sacred Formulas of the Cherokees. 7th A n n . R e p . B u r . o f Eth. Washington. 1891. p p . 301-397. P O U N D , LOUISE. The Beginnings of Poetry. Pub. of Mod. L a n g . Assn. of A m e r . vol. X X X I I . no. 2. pp. 201-232. ) R A S M U S S E N , K N U D .
Dark f o g door posts. 222 1 2 4 125 A s a sustained example of this method, the Waking Sonfr~x& t h e N a v a h o s is exceptional. There is no verb indicated in t h e entire song, which is forty lines in length, except in the p r e l u d e and burden. On close grammatical analysis the burd e n appears to carry the body of the sentence, but in the verse a n a l y s i s the first part of the line falls into a distinct section. T h e w h o l e effect is to leave the first part of the line without s e n t e n c e structure ; hence the vivid sequence of word pictures.
American Indian Verse: Characteristics of Style by Nellie Barnes
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