By Robert Pack, Jay Parini
ISBN-10: 0874517222
ISBN-13: 9780874517224
ISBN-10: 0874517230
ISBN-13: 9780874517231
Fifty-nine of America's top poets decide upon their favourite verse by means of one other author and discover its impression on their lonesome writing. Edited through Robert Pack and Jay Parini.
Read Online or Download Touchstones: American Poets on a Favorite Poem (Bread Loaf Anthology) PDF
Similar anthologies books
Get Poemas por Edgar Allan Poe PDF
The lifetime of American author Edgar Allan Poe was once characterised by means of a dramatic sequence of successes and screw ups, breakdowns and recoveries, own earnings and hopes dashed via, regardless of which he created the various best literature the area has ever identified. through the years his works have inspired such significant artistic forces because the French poets Charles Baudelaire and Andre Gide, filmmaker D.
Conversations with Mexican American Writers: Languages and by Elisabeth Mermann-Jozwiak PDF
Via a chain of interviews with 9 acclaimed authors, Conversations with Mexican American Writers explores the languages and literature of the U. S. -Mexico borderlands as a confluence of social, cultural, old, and political forces. of their conversations, those authors speak about their linguistic offerings in the context of language guidelines and language attitudes within the usa, in addition to the East Coast publishing industry's mandates.
The recognitions by William Gaddis, MR William H Gass PhD PDF
The e-book Jonathan Franzen dubbed the "ur-text of postwar fiction" and the "first nice cultural critique, which, no matter if Heller and Pynchon hadn't learn it whereas composing "Catch-22" and "V. ," controlled to expect the spirit of both"--"The Recognitions" is a masterwork approximately artwork and forgery, and the more and more skinny line among the counterfeit and the faux.
Additional info for Touchstones: American Poets on a Favorite Poem (Bread Loaf Anthology)
Sample text
From Julia Alvarez's shrewd reading of Elizabeth Bishop's dazzling villanelle "One Art," to Paul Zimmer's delicate and personally historical Page xiv response to John Clare, these essays are singularly unpredictable, witty, moving, andalmost alwayscelebratory. " J. D. " Other poets have chosen to write about less familiar poets, but they do so with a passion that makes their choice appear central to the enterprise of writing. This is true of Marvin Bell's inventive and amusing piece on Henry Reed's "The Naming of Parts" and of Anthony Hecht's brilliant analysis of "Gaze Not on Swans," an obscure yet powerful poem of the Renaissance era that may have been written by Henry Noel (it is attributed elsewhere to William Strode, although Hecht argues against this provenance).
Cummings shows us that science and poetry both depend on formal reasoning and faithful intuition; both are human creations, after all, two of our best attempts to understand the universe and our place in it. Abundance, contradiction, reason, joy, praise, despair, chaos, and formcummings contains all of these in the bending, relative space of the sonnet. , that the past has less to tell us than the present because the present offers a truer perspective on human affairs than could possibly have been provided a generation earlier, much less one or two hundred years ago.
Because it welcomes us with confident, lucid sentences. Because it is clearheaded and organized. Because it contains subject matter that matters. Why is it as good the tenth time as the first? Because it is greater than the sum of its parts. Reed's poem expresses how it feels to be in class while wanting to be elsewhere. It feels the difference between the mechanical and the human. It contrasts the cold and sometimes oppressive artificial order of civilization with the free sensuality of nature.
Touchstones: American Poets on a Favorite Poem (Bread Loaf Anthology) by Robert Pack, Jay Parini
by Jason
4.1