By David Waltner-Toews
An wonderful and enlightening exploration of why waste concerns, this cultural historical past explores a regularly overlooked material and makes a compelling argument for a deeper figuring out of human and animal waste. imminent the topic from various perspectives—evolutionary, ecological, and cultural—this exam indicates how indispensable excrement is to biodiversity, agriculture, public future health, nutrition creation and distribution, and international ecosystems. From primordial ooze, dung beetles, computer virus frass, cat scats, and flush bogs to international exchange, pandemics, and effort, this is often the notable, bothered, uncensored tale of feces.
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Additional info for The Origin of Feces: What Excrement Tells Us About Evolution, Ecology, and a Sustainable Society
1. The hour of midnight struck upon the chime, And as the bell threw up his iron throat, To utter speak with an iron voice the doom of Time, Each solemn clang upon my spirit smote, And And left it list’ning in a solitary dread; While all the shadowed stillness of the night Stood tremblingly, as though some angel spoke, The Tolling of the Funeral Bell: The Death of Charles Darwin 21 Relentless, stern, and terrible in right, Who gave the message in that steady stroke, Then Then left its rolling sound through all the world to spread.
Will “choirs” join him in singing his song? The quatrain is laden with musical references that carry forward this theme. Of course, at the funeral Romanes heard many songs sung to Darwin. He wonders if such tuneful singing will continue after the ceremony or if the praises at the funeral are just a passing fancy of a nation’s cultural elite who like to have such greats buried in their national shrine. The musicality of the first quatrain is abruptly interrupted by a still harder question that consumes the entire second quatrain.
24 Romanes’s poem was not alone in evoking the funerary image of the sable plume. ” The Rev. ” The plumes expressed the finality of death. ” The mourner’s cries and the plumes merge as one to carry away an inexpressible sorrow. The bird imagery takes a different turn in the second quatrain where the marsh-dwelling bittern bursts forth in impassioned cries. The word “boom” suggests an outcry that results from a deeply felt wound. The poet is weighed down by the lonely isolation of his grief. As in the preceding poem, there is a loss experienced that cannot be put into proper words.
The Origin of Feces: What Excrement Tells Us About Evolution, Ecology, and a Sustainable Society by David Waltner-Toews