Download e-book for iPad: The Glory of Byzantium: Art and Culture of the Middle by Helen C. Evans, William D. Wixom

By Helen C. Evans, William D. Wixom

ISBN-10: 0870997777

ISBN-13: 9780870997778

In A.D. 843, following the solution of the Iconoclastic controversy, which had raged during the Byzantine Empire for greater than a century, using icons—images—was triumphantly reinstated within the Orthodox Church. This momentous occasion encouraged a lot of the artwork of the next 4 centuries, which contains the second one nice period of Byzantine tradition and gives the place to begin of this quantity. the honour of Byzantium, and the exhibition that it accompanies, concludes with the death of the empire's position as a global energy, evidenced through the Latin career of Constantinople from 1204 to 1261.

Conceived because the sequel to the landmark exhibition "Age of Spirituality," which used to be held on the Metropolitan Museum of artwork in 1976 and keen on the 1st centuries of Byzantium, "The Glory of Byzantium" explores 4 interrelated topics: the non secular and secular tradition of the second one Golden Age of the Byzantine Empire; the empire's interplay with its Christian acquaintances and competitors; its family members with the Islamic East; and its touch with the Latin West. Bringing jointly the contributions of fifty-nine students and artwork historians, such a lot of them operating within the usa, the textual content explores the advanced currents of Byzantine civilization in its myriad features. greater than 350 artworks assembled for the exhibition from 119 associations in 24 nations are mentioned and illustrated within the catalogue. jointly they current an important collection of the main appealing and significant works that continue to exist from the empire's moment Golden Age and from the international locations that constituted its prolonged sphere of impression. Liturgical objects—including icons, mosaics, chalices, patens, and reliquaries—and secular objects—silks, ivories, ceramics, jewellery, and manuscripts—reflect the dynamic nature of the artwork of this period either inside of and out of doors the empire.

The first 1/2 the amount treats the historic context, the spiritual sphere, and the secular courtly realm of the empire; the second one part makes a speciality of the interactions among Byzantium and different medieval cultures, together with Islam and the Latin West. The 17 essays are followed via particular discussions of the artworks and via full-color photos, in addition to by means of perspectives of architectural websites and comparative illustrations. lots of those illustrations have been made particularly for this quantity through Bruce White, photographer, on website in Greece, Turkey, Egypt, Italy, Bulgaria, Hungary, Georgia, Ukraine, and the Russian Federation.

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Additional info for The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261

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While the turn to industrial history in film studies led to a rigorous body of scholarship on the inseparability of Hollywood’s modes of production and its narrational forms, and to some such work on various national cinemas, art cinema as such has rarely been investigated in this way. Too often, the usage of the term “art cinema” assumes an unchanging and obvious object. ”30 This lack of historical analysis is an issue that this volume aims to address, but there is something more at stake here than simply a gap in the scholarship.

Audiences who might have little specific prior interest in Romanian culture or film history are drawn to the films as the latest must-see festival prizewinners. The experience offered is not located in director, star, or nationality but is constructed as a similar pleasure to that of previous “new” art cinemas. And the thrill of discovery for those audiences eagerly consuming the next big thing repeats a fantasy at the heart of art cinema: that of making the transformative discovery of neorealism.

Indeed, we find the ready acceptance of bourgeois conceptions of autonomous art to be a troubling facet of much discourse on art cinema. In this book, we have tried to remain sensitive to how elitist and ethnocentric impulses may haunt the category of art cinema. 35 Introduction 19 Claims and Conclusions While most previous accounts of art cinema have tended to privilege either extratextual, industrial features or histories of style and form, the approaches in this book represent a move away from purely institutional or formalist definitions.

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The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261 by Helen C. Evans, William D. Wixom

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