By Douglas Collins
ISBN-10: 0674789504
ISBN-13: 9780674789500
Research of Sartre's biographical company
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Extra info for Sartre as Biographer
Example text
In his study of the linguistic categorization of household receptacles, William Labov showed to his test subjects line drawings of receptacles of different width, height, and roundness, with or without a handle, and filled with different kinds of food and drink. He then asked them to categorize the receptacles—to describe whether the image showed a mug, a cup, a bowl, or a vase. There was no clear dividing line between any of the categories. The handle increases the probability that the receptacle is categorized as a cup, but not necessarily so, since there are cups without a handle.
It seems to be the case that readers establish connections between the characters in a panel, and between panels, on the basis of inferences, and that a lot of the meaning readers get from textual elements does not depend on their competence in a code, but on more basic cognitive processes. Signs in Comics: A Cognitive Approach Let us move away from the characters and their relations, the elements most obviously of cognitive interest, for a moment. Do formal features of comics, such as panels, speed lines, and speech bubbles, and their medium-specific combination of images and words, add up to a semiotic system?
The inferences drawn from this hypothesis—“Goldilocks is dangerous,” “Goldilocks condones violence,” or “Goldilocks is ideologically narrow-minded”—will be confirmed as the story continues and become part of the storyworld of Fables. Readers identify Goldilocks as a fairy-tale character and immediately draw a set of inferences about the character. These groupings of sets of clues and templates for inferences in our cultural context knowledge can be understood in terms of schemata (an organizing structure in our knowledge) and scripts (routine combinations of actions; see Schank and Abelson 1977).
Sartre as Biographer by Douglas Collins
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