By Jad Adams
ISBN-10: 1860649203
ISBN-13: 9781860649202
Mysteriously subtle, darkly appealing, nearly Satanic: absinthe used to be the drink of selection of Baudelaire, Verlaine and Wilde. It encouraged work through Degas and Manet, van Gogh and Picasso. It was once blamed for stipulations starting from sterility to insanity, to French defeats in international warfare I. The crusade opposed to the "devil in a bottle" ended in its ban all through such a lot of Europe. Its popularity for toxicity finally extinguished the fin de siecle's infatuation with absinthe, yet no longer earlier than it had prompted many generations of artists on either side of the channel. this article is a biography of "the eco-friendly fairy"; from its position within the lives of writers and artists who have been encouraged - and ruined - by means of it, to its more moderen rediscovery through Ernest Hemingway and today's would-be sophisticates.
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Extra info for Hideous Absinthe: A History of the Devil in a Bottle
Sample text
It was the subject of Jean-François Raffaëlli’s picture Au Café, l’absinthe pernod of around 1885, in which a woman of the barrier region of outer Paris sits at a wooden table and leers as she doses a child in her arms while her husband slumps on the table, head in his hands and pipe in his mouth, looking on in an absinthe stupor. In Balesta’s story, Marie continues drinking a little absinthe with her father, and comes to enjoy it and ask for the drink, until one day she progresses to her own glass: ‘true triumph for her father’.
These boulevards were the embodiment of progress in France, being built by Baron Haussmann, Prefect of the Seine, who was commissioned by Napoleon III with the construction of an imperial city. A lithograph by Honoré Daumier of 1863, The first glass…the sixth glass…shows a scene in such a café. An obviously bourgeois man is in an animated state with his first glass, while his companion is in an open-mouthed, open-eyed reverie after the sixth. Daumier, born in 1808, made his living principally as a cartoonist, producing lithographs of bitter political and social satire – one of his cartoons of King Louis Philippe had him imprisoned in 1832.
Baudelaire was born into a bourgeois family in 1821 to a 26-yearold mother and a 60-year-old father who was a civil servant and also a painter. He died when Baudelaire was six, but not before teaching his son the secrets of form and line. Baudelaire made his name as a poet, but was also a gifted art critic who was always at home in the company of artists, making him a key figure in the history of French art. His mother married again, to an army officer, General Jacques Aupick, who opposed Baudelaire’s literary ambitions and had the young Baudelaire sent abroad, though he returned on his own.
Hideous Absinthe: A History of the Devil in a Bottle by Jad Adams
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