By Robin Blaser, Miriam Nichols
In the corporate of a small team of buddies and writers in 1974, Blaser was once requested to relate his own tale and to touch upon the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks approximately his early life in Idaho, his time in Berkeley, and his participation within the making of a brand new form of poetry. The Astonishment Tapes is the expertly edited transcript of those recordings by means of Miriam Nichols, Blaser’s editor and biographer.
In The Astonishment Tapes Blaser reviews greatly at the poetic rules that he, Duncan, and Spicer labored via, in addition to the variations and dissonances among the 3 of them. Nichols has edited the transcripts basically minimally, permitting readers to make their very own interpretations of Blaser’s intentions.
Sometimes gossipy, occasionally profound, Blaser bargains his model at the within tale of 1 of the main major moments in mid-twentieth century American poetry. The Astonishment Tapes is of substantial worth and curiosity, not just to readers of Blaser, Duncan, and Spicer, but in addition to students of the early postmodern and twentieth-century American poetry.
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Additional resources for The astonishment tapes : talks on poetry and autobiography with Robin Blaser and friends
And the sheep would be herded through the grazing land into these areas where there would be water and the tank truck would bring it in. My grandmother continued in Orchard, which is seventeen miles from Boise, Idaho, in the middle of the desert, until she retired and wound up living in Twin Falls with the family. That’s two years before I leave home. But she worked her life through at the telegraph key, and the image of her that I love most is the hoop. I don’t think many people would even know what that is.
His sister, my aunt Dora, now dead, was there and we began a discussion about my grandfather speaking French to me as a little boy. My father denied that he ever knew any French, that he came from France—I mean, it was like—well my father is hitting seventy at this point, and I suppose you can account for it on that level, but he was almost insane in the denial. It negated that whole hidden realm, with Dora, this very feisty sister of his who is as bad and as dirty-mouthed as he, screaming at him because she knew it too.
And the last time she ever did that to me, she banged on the floor and I paid no attention—like you wanted to avoid her, she was quite difficult—and my grandmother went in and I was the one who was wanted. . Warren: How old are you now? Robin: I’m nine now. ” Well later on I had some quote “lessons” and so on, but I mean in those days—and so all I could do was sing, and I can’t remember what I sang. I think it was something awful. . Robin: I don’t think I knew that then—it might have been—because the other [French] grandfather hasn’t quite come on the scene with his full power.
The astonishment tapes : talks on poetry and autobiography with Robin Blaser and friends by Robin Blaser, Miriam Nichols