By Alice Echols
Disco thumps again to lifestyles during this pulsating examine the tradition and politics that gave upward push to the music.
In the Seventies, because the disco tsunami engulfed the USA, the query, "Do you wanna dance?" turned divisive, even explosive. What used to be it approximately this tune that made it such sizzling stuff? during this incisive heritage, Alice Echols unearths the ways that disco, assumed to be shallow and disposable, completely reworked renowned song, propelling it into new sonic territory and influencing rap, techno, and trance. This account probes the advanced dating among disco and the era's significant hobbies: homosexual liberation, feminism, and African American rights. however it by no means loses sight of the era's defining soundtrack, spotlighting the paintings of precursors James Brown and Isaac Hayes, its superb divas Donna summer time and the ladies of Labelle, and a few of its lesser-known yet no much less illustrious performers like Sylvester. You'll by no means say "disco sucks" back after interpreting this attention-grabbing account of the tune you idea you hated yet can't cease dancing to.
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Additional info for Hot Stuff: Disco and the Remaking of American Culture
S. manufacturing, the English economy shifted back to its commercial roots and was extended along the geographical trade routes opened up by British imperialism. As a further consequence of these changes, political and economic elites turned to the countryside as a source of cultural stability and economic opportunity only to discover that outmigration had severely diminished the able-bodied population and that the agricultural economy had atrophied. 27 42 Robert A. Beauregard Rural nostalgia brought together gendered notions of domesticity, nationalistic yearnings for the quintessential English landscape, and a longing for a way of life that was less tainted by work and commerce and centered more on cultural pursuits.
11. See Richard Sennett, The Fall of Public Man (New York: Knopf, 1974) as well as Robert Putnam, Bowling Alone: The Collapse and Revival of American Community (New York: Simon & Schuster, 2000). 12. Georg Simmel, “The Metropolis and Mental Life” and Tony Hiss, The Experience of Place (New York: Random House, 1990). 13. Erving Goffman, Frame Analysis: An Essay on the Organization of Experience (Boston: Northwestern University Press, 1974), 22. 14. Michel de Certeau, The Practice of Everyday Life (Berkeley: University of California Press, 1984); David Harvey, The Condition of Postmodernity (Oxford: Blackwell, 1990); Tracy Strong and M.
For classic examples, see Morton and Lucia Wright, The Intellectual versus the City (Cambridge, MA: Harvard University Press, 1962) and Raymond Williams, The Country and the City (New York: Oxford University Press, 1973). For extension of the analysis of Williams, see G. MacLean, D. Landry, and J. , The Country and the City Revisited (New York: Cambridge University Press, 1999). 3. David Harvey, Consciousness and the Urban Experience (Baltimore: Johns Hopkins University Press, 1985), 251. For a discussion of Harvey’s work in the above context, see Ira Katznelson, Marxism and the City (New York: Oxford University Press, 1993), 116–140.
Hot Stuff: Disco and the Remaking of American Culture by Alice Echols