By Qiguang Zhao
Few symbols saturate human civilization so widely and punctiliously as these of the ever-present and enigmatic dragon. This compelling booklet examines, compares, and analyzes the looks and symbolization of the japanese and Western dragons and treats them because the crystallization of human cultures. It indicates that chinese language dragons resemble each other yet recommend assorted rules in numerous contexts, whereas Western dragons have diverse appearances yet usually denote a unmarried idea. As probably the most extraordinary achievements of dragonology, this publication deals impressive new insights into dragons as zoological «fact», mental archetypes, and ideological symbols.
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Extra info for A Study of Dragons, East and West (Asian Thought and Culture)
242-47) The Didacticism of the Fabliau 29 In a few cases the proverb is stated by one of the characters and the narrator's presence is therefore not quite so obtrusive. The majority of these conclusions, however, constitute a clear break from the story, a final comment by the narrator. When the jugement framework is used, the call for audience participation in evaluating the story definitely breaks away from the récit to substitute a new set of characters, the audience, as arbitrator and moralizer.
The most important innovation is in new action which branches from the initial sequence. The narrative moves beyond a simple opposition between the original antagonists to reverse the situation, giving an apparent victory to both sides. The second sequence of events, based on a false understanding of the earlier events, demonstrates an idiosyncratic response on the husband's part; the man misses the point and merrily dupes himself into a monk's life. Beyond the marvelous comic input such a twist provides, the man's response demonstrates that the meaning of events is challenged within the narrative itself.
Fortunately, the neighbor can guess by the friend's refusal that it is needed for the specific purpose. Therefore, she is able to help her friend by paying a fool to cry "au feu," which causes a commotion in the street and allows the lover to escape. The author concludes: Or puet cele son cuvier rendre, Qui moult a esté effraée. Ainsi s'est cele délivrée, Qui moult savoit de la chevance, Quar apris l'avoit de s'enfance; S'ele n'éust besoing éu, Ele n'éust jamès séu Le grant besoin de sa voisine.
A Study of Dragons, East and West (Asian Thought and Culture) by Qiguang Zhao